Ecstatic Waters ALL (PDF)




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Bass Guitar

Part II



q = 165















mp
7




 

13



  







A



f

B
    


17

 








     

f

24



  




f

mf

C









 





f

30

 

34

















D






    




f



f

©









2

Bass Guitar

41




E


 









f

46



52



 









F








ff











 





fff

Drum Set

q = 165



13








B

f










A

  


17






Part II

p

            















               

       
























 








20

22



f

        

          

p

©

2

Drum Set

                       
       
   

C

24

   

closedhats/bass
mp




      
 




28


 

31















loosehats/bass
mf






34
















 













E


                       

41


 

46


 

49


































f




f











f

f

43






    
   
fp

D














                
                

F

   
                              

53


        

         
     

ffff

fp
floor.tom.roll




 

ff
  

crash/loosehats

Electric Guitar

q = 165



13




mf




  

B







31

 

34


41

 












 












    

f

D

  







mf

E

f




f




 


    





  




mf



C



mp





f

24


 



  




 

AG

 
17








Part II





©









 




2

Electric Guitar

46

 



52























F






 





leadeffect

ff










fff

Glockenspiel




q = 165






9

  

Part II








mp

A
 

13






mf
17

mf

B

   



f

24



 

29

34



C





f
















 















 



  


    












f



 
 







 

D









 

mf

©





   

 
 


f









2

Glockenspiel

41

 



E



f

46

 


 

52


























F


 



 
 



ff












 







fff

Marching Bass Drum

q = 165



13


17








Part II





A

B

 










































f

       f
   


 
                    

20



fp

24







C

                     

    

f

f



    
 


 

  
     

31

3

3

3

3

f

fp

©

ff

p

2

Marching Bass Drum

       

















34

mp

3


               
 
            
 
   


39

ff
D




fp

f

36






f

fp






mf

           E     
    
   

  


41

3

f

        
         

46

3

49

F






3

f




mf



3




buzz

f





mp









Marching Cymbals

q = 165



13


17








Part II







A

   





  


   

30

 



34






41

all
f



C










    
       

f







p

B

24









 f
    

 









   
all

 



 



   
all




D






E
   

      

©
















2

Marching Cymbals



    

46



  

F











Marching Tenor Drums

q = 165



13










Part II















A










p


 

17

B





               



f

R R L L R R L L R R L L R R L L



                                f

 


20

RLRLRLRLRRLLRRL L
24





     
 

                 



C

R l l RR l l RR l l RR l l R
fp

r r b l r l r l r l r l
mf

r r l l r r l l R L R pl
f

 

                     
   


 


31

3

3

3

3

r l r l r l r l r l r l
34








fr

L R L lR r l l r r L

D






©



R b
fp




b B
ff






2

Marching Tenor Drums

E




















        





















41

     
          
  
  
3

43

R R L L R R L L R R L L R L R L R L R L
f






 


46

3

3

3
r l r L r l R l r l 3R l

R
f

L

r 3l R l r l R




  

f

mp

buzz

r

F




B



3

3

lR l
mf

r rL r

l

r l r l R
r l r l R
mf p
p

l

R L

R

          






Marimba 1
Percussion






pp
 1/2,3
 






q = 165



  


  
















8






 


Part II

 



 








 
 

 


  




   

13





17

B

f








choke

   











 mf 
 



pp
 3/4





 


















mf


©





1/2,3/4

















 
 








1/2




A

f












 



 
 






To Perc.






  
  
 

f








2

Marimba 1, Percussion



24







 

29







f

















   

41

 f





 

46



























34



C











 
 






 



















 


F


 






























To Perc.

 mf






f



D







   



 












E



    

f
















  










Marimba 1, Percussion




 




52














ff



3








fff






Marimba 2
Percussion






pp
 1/2,3
 






q = 165



  


  


8






 
















 



 


 





    

13

A

 f 




p

17

B
 choke

   

 f   


Part II







 
 

 













 mf 
 



pp
 3/4












 







1/2










  








mf


f

©



























  
  
 










To Perc.











 



 
 

1/2,3/4

f



 
 




f






2

Marimba 2, Percussion



24









C

                               
p


mf

27

               
 

 



30

                                
 







32

                     

f
 

     




34







f












D









f
















Marimba 2, Percussion



E




    

f
   




   

41

 f





 
 

46




 

52

 










































F


 


 




ff




3











 





 














 













 
fff




Marimba 3
Percussion






pp
 1/2,3
 






q = 165



  


  





 

mf




17

f

choke

   



f

 



 








 
 

 













 mf 
 



pp
 3/4












 




















mf


©





















 
 








1/2







    

A

B
















8

13




 


Part II







 



 
 






To Perc.






1/2,3/4

  
  
 

f








2

Marimba 3, Percussion



24







 

29







f

















   

41

 f





 

46



























34



C











 
 






 



















 


F


 






























To Perc.

 mf






f



D







   



 












E



    

f
















  










Marimba 3, Percussion




 




52














ff



3








fff






Marimba 4
Percussion






pp
 1/2,3
 









 


q = 165



  


  





 

mf
 


13



17

A















8

Part II

 



 








 
 

 













 mf 
 



pp
 3/4












 







  

f

p
choke

B


   

 f   










mf


©





























  
  
 







 



 
 







To Perc.

1/2,3/4



f









1/2







    

 
 





f






2

Marimba 4, Percussion



24









C

                               
p


mf

27

               
   
   
   
 

 



30

  








 







32

                     





f
 

     




34







f












D









f
















Marimba 4, Percussion



E




    

f
   




   

41

 f





 
 

46




 

52

 










































F


 


 




ff




3











 





 














 













 
fff




Percussion

q = 165



8

 

13

17



  







21




gong
pp












suscymp

C





 

f





f



 

   

mf gongwithstick
gongwithstick

30

    


 



                
24


 

gong

   

©







Gongwithsticks
mf

splash crash



pp




choke 

 

f




mf






mf

    




mf



Bchoke





sus
p

A

 







Part II

   


p



  
f

2

Percussion



34








f




concertbass

41





D

Gong(mallet)
f



E

                        
Gongwithsticks
 f

43












 

46

 
F



   

53







f

 

49








 
  

snare(buzzroll)

    








   




 








 




 


fff
mf

P1:snare,P2:gong/concertbass


 








 
 
 


ff











Percussion




 

q = 165

8

  


sus
pp

mp

 

13

A

 





  
  













pp







mf


 

mf








29



 


 


 








 choke
   





splashcym
mf


   
choke




 

f



chinacym


  

f






       
chokef
           
  

C


   



pp




suscym



concertbass(dry)/floortom

24



sus
p



f

34



  




concertbass
p
17 B choke

mf

Part II


chinacym

D






china/kick

©

mf









    

kickdrum
fp

cymwithmallet
f




f






2

Percussion





41

46

kickdrum sus

 
49

E

   

                    
f

F

























53

  









ffff
chinacym


















  

kick/china

ff







Snare Drum



8

q = 165

 

13















Part II








A
















p

17

B

 







f



R R L L R R L L R R L L R R L L

                       f
  

20

RLRLRLRLRRLLRRL L

R l l RR l l RR l l RR l l R
fp

24





©



2

Snare Drum

  


 

              

25

C

R r r
f mf

r

r r

r r

r

R L r l

r l r l r l R
p
f


 3



  

28

r b b

b b R l l r r L R

l r/b r L L r r l l R l


 
                       
mf
r l B l

r l r l r l r l

r r l l r r l l R L R pl
f

3
3
3

 








           

31

3

r l r l r l r l r l r l



34



R
f




l

r rL lR r l l r r L

D






r b
fp

b B
ff











                    E    3  3
                               

41

R R L L R R L L R R L L R L R L R L R L
f

R L

R

R l
mf

r L r

l

3
3
 3  3 3
3
3 3 







      

43

r l r L r l R l r l R l

r l R l r l R l l R l l

R







 
3
3






         

46

R

49

F

 

L

r

l



r

l

r

l




R

f

buzz

f



r
mp

r l r l R l
p
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Part II




q = 165

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B
    

 f







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17




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13



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     
    f






2

Synthesizer



24








C



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low.bass.effect
30



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f

D

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loweffectsample

f

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46

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34

41



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
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



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52

 

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q = 165


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7

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13

A

 
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




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p

 
   

17 B

  





 

30

34





 
 







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




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     
         
        
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f
24



f



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   

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f

D

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

f

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

2

Vibraphone 1, Percussion, Vibraphone



  

41


 





 




46

52

E
     
   
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f







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ff






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
fff





Vibraphone 2
Percussion
Vibraphone

Part II
q = 165













mp
7

 

13

A

 
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mf


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
 
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f

24





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 
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



     
         
        
mf



C

30

34






 choke
   

17

  



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f










   

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




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


f

D






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

f

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

2

Vibraphone 2, Percussion, Vibraphone



  

41


 





 




46

52

E
     
   

f







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













 



 









ff






F




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
fff





Vibraphone 3
Percussion
Vibraphone

Part II
q = 165













mp
7

 
 


mf

17



A

13

B






  







p







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












 

30

34





 
 











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





 
  





     
         
        



C







mf

24



f



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





   

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


f

D






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

f

©










2

Vibraphone 3, Percussion, Vibraphone



  

41


 





 




46

52

E
     
   

f







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






F


 




ff







 


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












fff

 




Xylophone

q = 165

















    

13

A







 

29

34



    
         
        





C





f

















 
 

mf




   







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   

D

E
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     







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
f

©

 
 


f

 






f




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 


mf

41






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






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f
24








f



  

17 B

Part II















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 





2

Xylophone


 







 







46

52









F


 



 
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

ff


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







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fff






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